Inside Out (2. 01. Wikipedia. Inside Out is a 2. American 3. Dcomputer- animatedadventure film produced by Pixar Animation Studios and released by Walt Disney Pictures. The film was directed by Pete Docter and co- directed by Ronnie del Carmen, with a screenplay written by Docter, Meg Le. Fauve and Josh Cooley, adapted from a story by Docter and del Carmen. The film is set in the mind of a young girl named Riley Andersen (Kaitlyn Dias), where five personified emotions—Joy (Amy Poehler), Sadness (Phyllis Smith), Anger (Lewis Black), Fear (Bill Hader) and Disgust (Mindy Kaling)—try to lead her through life as her parents (Diane Lane and Kyle Mac. Lachlan) move from Minnesota to San Francisco, and she has to adjust to her new surroundings. Oh, the places you'll go. The official site for MASTERPIECE on PBS. View the broadcast schedule, watch full episodes, clips and more from the acclaimed drama series. Docter first began developing Inside Out in 2. The film's producers consulted numerous psychologists including Dacher Keltner from the University of California, Berkeley. Critics praised the film's concept, screenplay, subject matter, Michael Giacchino's musical score, and the vocal performances, particularly of Poehler, Smith, and Richard Kind. The film grossed $9. In 2. 01. 6, the film was named as the 4. As she grows up, her experiences become memories, stored in colored orbs, which are sent into long- term memory each night. Her five most important . In Headquarters, Joy acts as a de facto leader to maintain Riley's cheerful childhood, but since she and the other emotions do not understand Sadness' purpose, she frequently tries to keep Sadness away from the console. At the age of eleven, Riley and her parents move to San Francisco for her father's new business. Riley has poor first experiences: the new house is cramped and old, the moving van with all their belongings was misdirected, her father is under stress from his business, and a poor encounter at a pizza restaurant leaves her disheartened. When Sadness begins touching Riley's happy memories, turning them sad, Joy tries to guard them by isolating her. On Riley's first day at her new school, Sadness accidentally causes Riley to cry in front of her class, creating a sad core memory. Inside Out is a 2015 American 3D computer-animated adventure film produced by Pixar Animation Studios and released by Walt Disney Pictures. The film was directed by. Local, state, and wire news and commentary. Photo galleries, business and obituaries. Some 3DS release dates, from today’s Nintendo Direct: Ever Oasis comes out June 23, Hey Pikmin on July 28, Culdcept Revolt on August 29, RPG Maker Fes on June 27. Joy, panicking, tries to dispose of it, but accidentally knocks the other core memories loose during a struggle with Sadness, deactivating the personality islands. Joy, Sadness, and the core memories are sucked out of Headquarters, and taken to the maze- like storage area of long- term memory. The other emotions, Anger, Fear, and Disgust try to maintain Riley's happiness in Joy's absence with disastrous results, distancing her from her parents, friends and hobbies. As a result, her personality islands gradually begin to crumble and fall, one by one, into the . In desperation, Anger inserts an idea into the console prompting Riley to run away, believing that her return to Minnesota will enable her to make new happy core memories. Joy and Sadness encounter Bing Bong, Riley's childhood imaginary friend, who suggests riding the train of thought back to Headquarters. The three eventually catch the train, but it is halted when Riley falls asleep. They succeed in manipulating Riley's dreams to wake her and restart the train, but it is derailed when the . In desperation, Joy tries to ride a . But as she takes off, the ground below the tube collapses, breaking the tube and plunging Joy and Bing Bong into the Memory Dump. At the bottom, Joy then begins to lose hope, but discovers a sad memory of a hockey game that became happy when Riley's parents and friends comforted her. Joy realizes that Sadness serves an important purpose: to create empathy in others when Riley is emotionally overwhelmed and needs help. Joy and Bing Bong try to use Bing Bong's old wagon rocket to escape the Memory Dump, but after several tries, Bing Bong realizes their combined weight is too much and jumps out, sacrificing himself to allow Joy to escape. Joy reunites with a despondent Sadness and manages to get them to Headquarters, only to discover that Anger's idea has disabled the console, rendering Riley apathetic. To the surprise of the others, Joy hands control of the console to Sadness, who is able to successfully extract the idea, reactivating the console and prompting Riley to return home. As Sadness reinstalls the core memories, turning them sad, Riley arrives home to her parents and breaks down in tears, confessing that she misses Minnesota. As her parents comfort her, they tell her that they also miss Minnesota and Joy and Sadness work the console together, creating a new core memory that combines their emotions; a new island forms representing Riley's acceptance of her new life in San Francisco. A year later, Riley has adapted to her new home, made new friends, returned to her old hobbies, and adopted a few new ones (fueled by new, more nuanced core memories from combinations of her emotions). Inside Headquarters, her emotions all work together on a new expanded console with room for them all, enabling Riley to lead a more emotionally complex life. Voice cast. The idea to depict it through animation excited Docter, who felt it the ideal form to portray . They consulted Paul Ekman, a well- known psychologist who studies emotions, and Dacher Keltner, a professor of psychology at the University of California, Berkeley. Ekman had early in his career identified six core emotions—anger, fear, sadness, disgust, joy, and surprise. Docter found surprise and fear to be too similar, which left him with five emotions to build characters around. In addition, the film did not have as much input from chief creative officer John Lasseter, who was focused on restructuring Walt Disney Animation Studios in Los Angeles at the time of its production. Although animation as an industry had been dominated by men, half of the story crew were women, in an attempt to have more diverse input. The choice to focus the film on a girl came from research that claimed that females age 1. The idea to have Riley play hockey came from Del Carmen, who observed that the sport is very popular in Minnesota. They tried to stray away from stereotypically feminine interests, such as the color pink or dresses. After multiple screenings and suggestions from other filmmakers, the picture was put into production. It was again evaluated three months into that process. Kevin Nolting, editor of the film, estimated there were seven versions of Inside Out created before it even went into production. Initially, this crisis was to be set at a Thanksgiving Day pageant, in which Riley was hoping to be cast as its lead role, the turkey. Docter later deemed this idea too . In one draft, the characters fell into . It was difficult to achieve the correct tone for the film; for example, viewers could not be distracted by Joy's nature or feel negative about the mess she helps steer Riley into. Rivera credited the casting of Amy Poehler, in addition to the idea of moving, with helping the film find the right tone. By July 2. 01. 2, the project was set for an evaluation screening with other Pixar filmmakers. Docter gradually began to feel that the story was not working, which made him think that he might get fired. He took a long walk one Sunday, in which he began to consider himself a failure, and that he should resign from the film. He soon reached a breakthrough: that emotions are meant to connect people together, and that relationships are the most important things in life. He met with Rivera and Del Carmen that night to explain his change of plans, and to his surprise, they reacted positively to it. At the screening, he informed his superiors that new plans for the film were in order. They've had writers work on it since then. Like Docter, Cooley and Le. Fauve included experiences with raising their own children into the screenplay. We don't want to call her and have her think we're some weirdo,'. He phoned Poehler and explained the story to her, noting that her role would be the driving force in the film. He called Docter and said . Kind tried to convey the same . This required an artist to draw over characters in the film during dailies, using a Wacom Cintiq. They are made up of particles that actually move. Instead of being skin and solid, it is a massive collection of energy. However, Lasseter requested that it be applied for each emotion. The producers first met with Giacchino to explain the film's concept and screen it for him. In response, he composed an eight- minute suite of music, unconnected to the film, based on his emotions viewing it. In December 2. 01. Bleeding Cool reported the title of the film would be The Inside Out. This musical love story was directed by James Ford Murphy and produced by Andrea Warren. The story was inspired by the isolated beauty of tropical islands and the explosive allure of ocean volcanoes, and takes place over millions of years. A short film set in the world of Inside Out, titled Riley's First Date?, and directed by Josh Cooley, the head of story on the film. Playing as Riley's emotions, players have to match and sort memory bubbles through 4. May 2. 01. 6) inspired by the film's locations. This was a record among Pixar films that had Thursday night showings, but behind Toy Story 3's $4 million midnight showing. Pixar original film (breaking The Incredibles' record), the studio's third biggest of all time (behind Finding Dory and Toy Story 3), the biggest weekend debut for a film that did not debut at No. The Day After Tomorrow's record). The review aggregator website Rotten Tomatoes gives the film a rating of 9. The site's critical consensus reads, . Praise was aimed for its smart storyline, although some wondered whether the concept was too complicated for young audiences and to attract family crowds. Peter Debruge of Variety was effusive, calling it the studio's . Club, while overall positive on the film, said it . Aside from naming it the best film of 2. Kristopher Tapley of Hit. Fix called it as . Scott of The New York Times deemed the film . It took the Satellite Award for Best Animated or Mixed Media Feature.
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